This blog post explores the topic of improvisation. It analyzes a chord-centered method for composing on the fly, and it introduces a strategy for organizing the guitar fret-board known as the CAGED system.
Introduction This blog post is about improvisation, the concept of determinism, and what happens at the intersection of the two. My primary goal is to redefine what it means to improvise and to provide players with a clear way of doing it honestly. The post is set up in five chapters: (1) Introduction, (2) Determinism... Continue Reading →
In this blog post, I hope to clarify some misconceptions about the subject of improvisation. Since defining one's terms is the trench in which clarity lives and dies, I'll start there. Here is my definition: Improvisation is the act of synthesizing learned musical vocabulary with moment-to-moment, real time expression. A good analogy for improvisation is off-the-cuff... Continue Reading →
I think of improvising as an intellectual challenge that is analogous to meditating. When I'm reading the chords of a song, or watching the hand of a chording guitarist and improvising at the same time, I am engaging in an activity that requires every bit of my attention, every bit of my know-how, and every... Continue Reading →
To solo harmonically is to make melodic decisions based on chords changes. The experience of soloing in this way is similar to the experience of strumming through a chord progression. Both skills require that you know a song's changes. This blog post will map out the concept so you can get started with this kind... Continue Reading →