This blog post covers the early stages of Classical music from 1730-1760. It focuses on the genres, forms, and artistic sensibilities that separated this period from the previous one, the Baroque Period. Two important figures from this time are covered: C.P.E. Bach and Johann Christian Bach.
This blog post is about the Baroque period in Western art music. It describes the essential attributes of this music, explores the birth of opera, explains the technique called figured bass, and introduces two influential composers: Handel and Vivaldi.
This blog post is about the sixteenth-century religious movement known as the Reformation. It covers the effects the Reformation had upon music as well as two of the movement's most significant figures: Martin Luther and William Byrd.
This blog post is about the music of the Renaissance. It covers the intellectual trends and musical fashions that mark the period. The techniques of Renaissance vocal and instrumental music are summarized and explained, and a brief biography of French composer, Guillaume Dufay (c.1397–1474), is provided.
This blog post analyzes the motet, which was a style of polyphonic vocal music that evolved during the European Middle Ages. The motet featured simultaneous, overlapping vocal lines of varying text. They were compositionally dense and musically sophisticated. Progenitors of the motet like Philippe de Vitry, Franco of Cologne, and Guillaume de Mauchaut, are covered. Picture credit: Desmond, Karen. "Ars Musicae." Ars Musicae.and
This blog post is about secular music of the European Middle Ages. It describes the troubadour tradition of reciting epic poetry and singing devotional love songs. It also analyzes how this tradition spread throughout Europe from its epicenter in Aquitaine. Famous figures such as William IX, Bernard de Ventadorn, and Adam de la Halle are covered.
This blog post covers the famous medieval composer and religious mystic known as Hildegard of Bingen (1098–1179). Her strange musical creativity is explored as is the likely source of that creativity—migrainous hallucinations. Her most important work, Scivias, which is the source of her chant called Ordo virtutum, is analyzed and explained.
This blog post describes the earliest efforts to notate music in medieval Western Europe. It explores the pressures that lead to the emergence of standard musical notation, and it analyzes the inchoate forms that marked the progress of the system. Important figures like Boethius (c. 477 – 524) and Guido of Arezzo ((992 – 1033) are covered.
This blog post explores Gregorian chant and the psalms and hymns that comprise the Roman liturgy. It also describes variants of chant that evolved later in the tradition's history like tropes, sequences, and liturgical dramas.
This blog post describes the fall of the Roman Empire and the music that emerged as a consequence of that fall. It analyzes the musical habits of early Christians, and it inspects the early stages of Gregorian chant. Political and societal influences are considered for context and scope.
Chasing the Chords 